I
was going to watch the Blade Runner sequel
for my second film on the return leg to Japan, but it was far too long and I
had no hope of squeezing it in. So instead I opted for a Kenneth Brannagh
double-bill.
This
time, he was not only starring but directing, in a much more playful and fun
role. Like most people who grew up in Britain, David Suchet will always be the
definitive Poirot for me, but it’s fun to see such a well-known actor take a
crack at this character. The archetype Poirot is part of is also in vogue just
now – the eccentric, egotistical genius who is insufferable for people around
him but a lot of fun for an audience to watch. See Dr. House, Doctor Strange, Sheldon
Cooper etc.
So
with an extra focus on OCD, we have another remake of one of the most famous
Christie stories. It’s mostly faithful, with various European characters
altered to be black or Latino for diversity quota points, because as everyone
knows different European nationalities don’t count as diverse.
The
cast here is phenomenal. Just about every single character is played by a
well-known big name, established or recent. Judi Dench, Johnny Depp, Salma
Hayek, Michelle Pfeiffer, Willem Dafoe…the sheer number of recognisable faces who
can command top billing all on their own is impressive. And yes, Branagh
focusing so much on himself rather than letting these actors shine deserves the
criticism it got. And yes, it’s dubious that this was a necessary adaptation
when the story has had so many celebrated adaptations before this, and just
about everyone knows the big twist – whereas something like The Murder of Roger Ackroyd is becoming increasingly
little-known.
The
film is as well-made as one might expect, with sweeping shots of the railway
journey and beautiful costume details. The music is forgettable but fitting,
and the anxious feeling of the middle act is well-executed through editing and
framing.
Worth
a watch but probably not worth launching a new franchise or replacing Sherlock
Holmes in the public consciousness.
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